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Written by Administrator
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Saturday, 17 April 2010 18:51 |
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The Etruscan town of Tarquinia (in Etruscan Tarch(u)na, in Latin Tarquinii), about 100 km from Rome, was situated on a hill overlooking the valley of the river Marta, the emissary of Lake Bolsena, which flows into the sea immediately north of the city. The hill of the ancient town - the Pian di Civita - is located about 6 km from the seashore and it is separated from the coast by the long and parallel Monterozzi hill, site of the city's main historic necropolis where on the western spur there is the medieval (Corneto) and modern town.
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Last Updated on Friday, 01 October 2010 21:38 |
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Written by Administrator
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Saturday, 17 April 2010 19:22 |
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Few are the informations that the ancient sources (Cicero, Dionysius of Halicarnassus, Livy, Strabo, etc.) handed down to us about the history of Tarquinia, but those still describe the city as one of the most important of all Etruria. Tarconte, son of the hero Tirreno, the king of Lydia who led the Tyrrhenians (the Etruscans) in Italy, founded the city and gave it its name. In Tarquinia would also have appeared the divine child Tages, who taught the Etruscans the fundamentals of haruspicy, namely the divination practice obtained through the inspection of sacrificed animal entrails for which the Etruscan priests were famous for centuries. At Tarquinia was also set the origin of the Tarquin dynasty, the Etruscan kings who reigned in Rome between the late 7th and the 6th centuries BC.
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Last Updated on Friday, 01 October 2010 21:27 |
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The Archaeological Museum |
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Written by Administrator
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Monday, 19 April 2010 10:18 |
The Archaeological Museum of Tarquinia is housed in the Vitelleschi beautiful palace, built between 1436 and 1439 by Cardinal Giovanni Vitelleschi, in the time of Pope Eugene IV. The palace, one of the most important monuments of the early Renaissance in Lazio, shows the slow transition from the Gothic to the Renaissance language that only in the first half of the 15th century was spreading in peripheral centres.
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Last Updated on Sunday, 23 May 2010 13:07 |
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Written by Administrator
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Monday, 19 April 2010 11:07 |
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The use to decorate the burial chambers with paintings is documented in numerous Etrurian centres, but only in Tarquinia the phenomenon is so important and continue in time. In fact it's attested from the 7th to the 2nd centuries BC, that is for almost the entire city life. The painted burials are a small part (about 2%) of the Tarquinia tombs: they are, as a matter of fact, an expression of the aristocracy of the time, which alone could afford to decorate the graves. The oldest painted tombs (late 7th-first half of the 6th centuries BC), destined to the burial of the married couple, are small rectangular rooms with a gabled ceiling and coloured bands that emphasize the architectural elements. The rooms, carved into the rock at varying depths, are accessible through long descending corridors (dromoi) with steps.
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Last Updated on Saturday, 19 June 2010 18:46 |
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Written by Administrator
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Monday, 19 April 2010 11:21 |
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The Etruscan city was built on two adjacent plateaux, to the west the Pian di Civita and to the east the Pian della Regina. Integral part of urban topography is also the cone shaped hill of Castellina, at north-east of the Pian della Regina, included in the fortified walls and, because of its prominence, hypothesized as the town acropolis.
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Last Updated on Saturday, 19 June 2010 18:47 |
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